Hiển thị các bài đăng có nhãn Marvel UK. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Marvel UK. Hiển thị tất cả bài đăng

Thứ Hai, 5 tháng 10, 2015

Everybody was Kung Fu Fighting

When the Kung Fu craze swept the western world in the early 1970s it was inevitable it would also affect comics. One such publication was Marvel UK's The Avengers weekly which had been tootling along with reprints of The Avengers and Doctor Strange for 27 weeks and then out of the blue came the character seen above. Suddenly even the comic's masthead changed to The Avengers starring Shang-Chi, Master of Kung Fu and The Avengers strip itself was cut in half to accommodate ten pages of this newcomer's adventures. This was issue No.28, dated March 30th 1974.

I remember thinking that the extended title sounded awkward, and that Shang-Chi seemed an uncomfortable fit as he wasn't strictly a superhero, but over the weeks I grew to really like the series. Master of Kung Fu had only debuted in America a few months earlier, in Special Marvel Edition No.15 (which soon changed its title to Master of Kung Fu) but that comic wasn't distributed in the UK. (Not every Marvel comic was imported into Britain due to some limitation on distribution, although it did start coming through with later issues.)

The script was by Steve Englehart, one of the new wave of Marvel writers, with art by Jim Starlin who had already impressed fans with his early Marvel UK covers and his regular stint on Captain Marvel. The story concerned Shang-Chi being duped by his evil father (no less than the notorious Fu Manchu from Sax Rohmer's books) into killing an innocent man. Upon discovering the deceit and filled with guilt and remorse, Shang-Chi sets out on a path to oppose and destroy his father. Along the way, the strip becomes a spy thriller, with Shang joining British intelligence in their battles with Fu Manchu and his minions.

The original creators soon left the series and Doug Moench became the regular writer, with Paul Gulacy becoming the regular artist, and later Gene Day having a long run. It became one of Marvel's landmark series, with its creative teams raising the bar for more mature comics. Unfortunately the strip has never been reprinted due to legal snags with the copyright owners of Fu Manchu and its related characters that Sax Rohmer had created. Until now that is. Marvel recently announced that starting next summer they will publish four Master of Kung Fu Omnibus editions; huge hardback collections reprinting the entire series. Seems like any legal wrangles have finally been sorted out. The books won't be cheap though. The Marvel Omnis usually retail for around $100 each so start saving now!

Going back to the issue of Marvel UK's Avengers, this edition also featured reprints of The Avengers (natually) and Doctor Strange. As you can see, this was during the period when they thought adding heavy areas of zipatone / Letratone would compensate for the lack of full colour. Sometimes it proved effective but sometimes it obscured the art too much and was too distracting, as evidenced by the Doctor Strange splash page here. 


The Avengers starring Shang-Chi, Master of Kung Fu remained the gobfull of a masthead for quite a while, and the Avengers part of the logo was even reduced in size after a few weeks. It was evident that Marvel UK felt Master of Kung Fu was the selling point, and I'm sure it was. However, with the comic being weekly, the Shang-Chi strips soon caught up with the American monthly. The solution was to create a few brand new 8 pagers that appeared in the UK edition first, which were then reprinted shortly after in America in Giant-Size Master of Kung Fu No.1. Presumably it wasn't financially viable to do that for long so the Shang-Chi strip was rested to enable more US strips to be generated. It was replaced in the UK weekly by Iron Fist, another Marvel kung fu hero, and yes, the comic's masthead became The Avengers starring Iron Fist for a while then too, alternating with it being The Avengers starring Dr.Strange, and simply The Avengers again. Marvel UK could be a bit messy like that back then, but that was all part of the fun.   

Thứ Hai, 7 tháng 7, 2014

More Marvel relaunches for the UK


As reported here a few weeks ago, Panini UK's Marvel reprint monthlies are currently undergoing a relaunch. When the stories within the comics reach the 'Marvel NOW!' point (which instigated significant changes in the American originals), each title is being given a facelift and a renumbering at No.1.

The new first issues of Avengers Universe and The Mighty World of Marvel are in the shops now, and on July 17th Wolverine and Deadpool No.1 hits the stands. Two weeks later, on July 31st, a new volume of Essential X-Men begins.

This will only leave Marvel Legends with its original numbering for now, but that title reaches a significant point too, with No.100 published on July 24th. Marvel Legends will also be revamped in a few month's time, when its stories catch up to the Marvel NOW! issues.

All of these special issues have 100 pages for the usual price of £3.50 and are available from WH Smith, selected newsagents, and comic speciality shops. 

Thứ Hai, 12 tháng 5, 2014

Neil Tennant's FURY


Back in 1977, before the Pet Shop Boys hit the music charts, Neil Tennant was Editor-in-Chief at Marvel UK. The company was putting out a various number of weekly comics at the time, reprinting Marvel strips from the USA, and basically trying to flood the market to rival IPC and DC Thomson. 

However, several reprint titles had failed or at least not had the longevity expected of them, and so something different was required. DC Thomson had made a success out of their all-war weekly Warlord, and IPC had followed suit with Battle Picture Weekly, which became another hit. Allegedly Neil Tennant felt that Marvel UK needed a war comic to compete in this area. The result was Fury

Marvel's war weekly was modelled so closely on Warlord and Battle that even the logo was obviously inspired by those of its rivals...

The covers of Fury were also similar to the ones Battle had been running. Powerful images with a punchy message. None punchier than the brilliant one shown at the top of this post by Carlos Ezquerra. The artist had produced many similarly strong images for Battle's covers so it was quite a coup for Marvel UK to commission him for Fury. Unfortunately, the company were not given a budget by their American owners to produce British strips so although Fury looked like a traditional UK war comic on the outside, the interiors were a different matter.

With no option but to use American reprint material, Tennant chose to serialise Sgt.Fury and His Howling Commandos as the main strip, with each 20 page story spread across two or three weekly instalments. Art by Dick Ayers...

The same applied to Captain Savage and His Leatherneck Raiders, which had been a short-lived Marvel strip from the late sixties with art by John Severin...

The rest of the 32 page weekly was taken up with five-page complete war stories from Marvel comics of the 1950s. Some of which were looking quite dated by 1977. The Jap Trap is from 1959, art by Jay Scott Pike...

Despite its American content, Fury tried hard to be as close to a traditional British weekly as possible, such as running a letters page 'hosted' by Sgt.Fury himself...

...and following in the footsteps of Bullet's Fireball Club, Fury encouraged its readers to send in 30p for items such as a club badge, Identity Card, and Secret Codes...

Sadly, Fury failed to attract as many readers as its rivals, probably because the content just wasn't traditional enough. Had Neil Tennant been given free reign to develop a truly British war comic then perhaps it would have lasted longer. As it was, Fury ended after just 25 weeks, merging into The Mighty World of Marvel. Tennant left comics to work for Smash Hits, and a few years later became a huge success in the music industry.

*******************************

Incidentally, the cover to Fury No.1 was by Dave Gibbons and there's currently a copy for sale from Silver-Acre on eBay if you're quick! Click here!