Hiển thị các bài đăng có nhãn Ian Kennedy. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Ian Kennedy. Hiển thị tất cả bài đăng

Thứ Năm, 30 tháng 7, 2015

Commando issues out now

Another four issues of Britain's longest running adventure comic are in the shops today. Here's the PR from D.C. Thomson...


Commando No. 4831 – Flight Of The Furies 
In 1939, confident young Pilot Officer Duncan Marlow fell foul of an obnoxious C.O. and was posted out of the way to Griffin Island — a small garrison off Africa’s West Coast.
   Discipline was lax and the Governor was untrustworthy. He was on friendly terms with the Germans who were stationed nearby, even though War between both countries was all but inevitable. What was going on…?
   Soon Duncan, aided by a down-at-heel fellow pilot, found himself fighting the enemy in old Fury bi-planes. He was determined to strike back!

Story: Steve Coombs
Art: Jaume Forns
Cover: Ian Kennedy


Commando No. 4832 – Terror Train 
Not one of the men waiting in the darkness of that tunnel was unafraid. Each felt the fluttering in the stomach, the trembling of the hands that meant stark fear had taken over.
   Were these a pack of cowards, then?
   No. Every man present was a hero, brave and full of fight. Picked men — British Commandos and the cream of the French Resistance, the Maquis.
   But they were waiting for a train with a deadly cargo, and each man knew that in a few seconds he might have an appointment with death! 

Introduction
It’s hard to believe that this classic Commando book hails from nearly half a century ago. Somehow it almost seems timeless – practically like a blueprint for everything that these ‘War Stories In Pictures’ were, and still are, all about.
   It’s beautifully illustrated, with a fantastically pulpy cover, and features great characters, thrills and action that never lets up. ‘Terror Train’ keeps on track, never going off the rails, right until the final word.
   Reader Announcement – Attention Please: Commando would like to apologise for the late arrival of the train puns in the previous sentence.

Scott Montgomery, Deputy Editor
Terror Train, originally Commando No 209 (April 1966), re-issued as no 851 (July 1974)

Story: Redbridge
Art: Martin
Cover: Lopez ESPI


Commando No. 4833 – The Desert Duel 
Captain Jimmy Ramsey and his maverick Special Raiding Force were used to doing their own thing — dangerous hit-and-run raids deep behind enemy lines.
   So, during the battle of El Alamein in autumn 1942, when the Raiders were teamed with a Long Range Desert Group unit to capture an isolated German airfield, tensions mounted between the tough, hard-headed factions. Both the SRF and LRDG felt they could do the job better on their own.   
   They would have to stop clashing long enough to fight the real enemy!

Story: Ferg Handley
Art: Keith Page
Cover: Ian Kennedy


Commando No. 4834 – The Man Who Was Afraid
What makes a good fighter pilot? It’s mostly skill, and Charles Crombie had plenty of that. But it isn’t only skill — you also need to be able to fly through a hail of bullets and flak threatening to hack you out of the sky at any minute. And that was what Charles was afraid of.
   Then he took to wearing an old coin around his neck. It was his lucky charm. As long as he had it with him, he knew no fear.
   As long as he had it with him…

Introduction
You might be interested to know that the original working title for this story was ‘The Courage Is Inside’. Obviously, I wasn’t in the Commando office in 1977 when the script came in (I was aged 5 at the time). But I’m guessing that one of the reasons it wasn’t used is that although appropriate to the subject matter, it somehow just doesn’t seem ‘Commando-ish’ enough to go in front of Ian Kennedy’s dynamic cover montage.
   The story’s a good one – even though it features the fairly well-used plot device of a lucky charm – and there’s a main character that we’re genuinely rooting for. And it is all brilliantly illustrated, as usual, by Gordon Livingstone.
Scott Montgomery, Deputy Editor
The Man Who Was Afraid, originally Commando No 1152 (August 1977), re-issued as No 2476 (June 1991)

Story: Mclean
Art: George Livingstone
Cover: Ian Kennedy 

Thứ Ba, 5 tháng 5, 2015

This week in 1978: STARLORD No.1

Saturday 6th May 1978 saw the publication of IPC's new sci-fi weekly Starlord in newsagents across the UK. The new comic was a companion to 2000AD and was originally planned as a monthly until IPC got cold feet, resulting in some quick changes before launching as a weekly. 

As one IPC editor told me a few years later, monthly comics were considered too risky back then. The concern was that the young target audience who were accustomed to weekly comics would either forget which week a monthly would come out, or even lose interest during the four week wait for the next issue. Of course that attitude changed over the years as UK publishers had to rethink the frequency of their comics in the wake of ever decreasing sales to give them a longer shelf life. These days a monthly frequency is the norm, with weeklies being the oddities.

Anyway, back to Starlord No.1. The 32 page comic was on slicker paper than its sister title 2000AD and boasted more colour and better printing. It was also a few pence more expensive at 12p an issue. What it had in common with 2000AD was its presentation of stories in a dynamic and hyperactive fashion. For example, upon opening issue 1, the reader was immediately plunged into the relentlessly fast-paced Planet of the Damned by 'R.E.Wright' (Pat Mills) and Lalia. Here's the first two pages of the six page first episode which used the then-popular story theme about the 'Bermuda Triangle'...

Next came the first chapter of Time Quake, written by Jack Adrian with fantastic artwork by Ian Kennedy. Here's the first three pages...


Next, time for a breather and for the comic's fictional editor Starlord to introduce himself with art by Ian Gibson and an editorial dripping with paranoia...
The facing page showed the six alternative free badges, one of which was randomly attached by tape to the cover. If the readers weren't already jittery from Starlord's warning of imminent alien invasion the advisory about sticking the badges onto flesh would have completely pushed them over the edge: "you could develop a skin disorder, putting you out of combat"! 
Here's one of those very badges, designed by Kevin O'Neill...
Across the centre pages, the first episode of Strontium Dog, by T.B. Grover (John Wagner) and Carlos Ezquerra. A popular character still around today in the pages of the latest 2000AD. Here's the first two pages...

Rounding off the issue was the longest story, Ro-Busters, running to 11 pages! This was one of the strips originally intended for the monthly, which accounted for its length. Subsequent chapters would be half the size.
Script by Pat Mills, artwork by Carlos Pino. The war robot Hammerstein still appears today in 2000AD's A.B.C. Warriors and Savage strips, with Pat Mills having connected several of his series into one universe. 
Starlord wasn't a big success for IPC and sadly ended after 22 weeks, merging into 2000AD. Apparently 2000AD's sales were not good either, but it's thought that Starlord was sacrificed because it was more expensive to produce. On a positive note, the merger did 2000AD a lot of good, bringing in Ro-Busters and Strontium Dog which strengthened the comic.

***************
While I'm at it, here are the covers to issues 2 and 3, plus the free gifts. No.2 was drawn by Brian Bolland, relating to the Time Quake story inside...


...and No.3 sported a fantastic cover by Kevin O'Neill...

The free gift in No.2 was the 'Space Calculator', a cardboard slide which gave information on the planets of our galaxy. No.3's freebie was a 'Starblast' game; a variation of 'Battleships', with a wipe-clean laminated card that could be re-used. 
For more information on the background of Starlord comic, check out the book Thrill-Power Overload by David Bishop and, if you can find a copy, the now-out-of-print Beyond 2000AD from Hibernia Comics.  

Chủ Nhật, 4 tháng 1, 2015

Comic Oddities: TRUE WAR (1978)

True War No.1 was published by IPC Magazines in June 1978. The 40 page comic magazine was quite unique in that it was clearly aimed at an older reader than IPC's usual fare. Also, instead of the traditional anthology format it just featured two long 15 page complete stories, both of which were based on fact rather than fiction.
The first strip, The Battle of El Alamein, was superbly illustrated by Jim Watson. True War used a better paper stock than other IPC comics and it allowed good reproduction of painted artwork and photographs. Watson's grey wash technique really emphasized the qualities of his work. Here are a few examples...


The centre pages of True War were, like its covers, on glossy paper. In issue one the centrespread was used to show two cutaway illustrations of WW2 aircraft...
The second strip in issue one was Douglas Bader, Legless Legend. I have to say that even by 1970s standards I found the term 'Legless Legend' pretty tactless, although Bader himself would probably have been amused by it. The comic strip was a sympathetic and respectful tribute to his life, and featured excellent artwork by Ian Kennedy. Here's a few pages...




Some of you may have never heard of this comic, which wouldn't be surprising as it ran to a grand total of... three issues. So what went wrong? A few observations and speculations...

It was neither fish nor fowl. The cover design of True War looked like the top shelf sleazy crime mags such as True Detective. My guess is that the sort of readers the cover would attract would be put off to find it was 'only a comic', but the people who read comics would bypass it thinking it was a magazine. Also, that cover image isn't very dynamic is it? 

The price! In 1978, 30p was incredibly expensive for a comic. The imported American comics such as Savage Sword of Conan, Eerie, and Creepy may have been around 25p to 30p at the time but they had around 76 pages. True War only had 40 pages and its format was quite small (185mm wide by 250mm high). 2000AD back then was only 9p, with other British comics being around the same price.

The presentation. The idea of telling true war stories in comics form is a good one, and had been employed on the covers of DC Thomson's Victor for years. However, the text-heavy strips in True War really slowed down the narrative, which kind of defeated the object.

Frequency. The mainstream British comic publishers usually shied away from doing monthly comics back then. A senior editor once told me the general feeling was that a weekly frequency maintained the interest, but a four week gap between issues would lose readers who'd forget to keep up with it. 

Lastly; distribution. I don't remember seeing True War in many places. Was it well distributed? Perhaps newsagents didn't know where to put it, - next to the comics or up with True Detective etc? 

Whatever the reasons for its failure, True War was a worthwhile attempt to attract an older comics reader and it did feature great artwork, so it's worth picking up if you ever come across copies second hand.