Hiển thị các bài đăng có nhãn Frank Hampson. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Frank Hampson. Hiển thị tất cả bài đăng

Thứ Hai, 22 tháng 6, 2015

Frank Hampson art for sale

Image from The Art of Frank Hampson site.
Peter Hampson, the son of Frank Hampson, the creator of Dan Dare, has launched a website and gallery of his late father's work. Some of the classic Dan Dare pages from Eagle are up for sale, as are some pages that Mr.Hampson illustrated for Ladybird books. 

The Dan Dare pages are not cheap but after all they are important works in the history of comics and the quality of the illustration is so superb. There are few UK comic characters as iconic as Dan Dare, and Eagle changed the face of British comics forever.

There's also a gallery of original pages that are not for sale, such as The Road of Courage artwork telling the story of Jesus. 
Image from The Art of Frank Hampson site.
You can take a look for yourselves over at The Artwork of Frank Hampson at this link:
http://www.frankhampsonartwork.co.uk/index.html

Thứ Tư, 25 tháng 2, 2015

Dan Dare celebrated in his Southport birthplace

My thanks to Sara Teiger for this information and for the photographs.....

This imposing metre tall fibreglass Mekon peers down at visitors to a new local history museum in Southport.

The Mekon and his nemesis Dan Dare were of course created in the Merseyside seaside town by artist Frank Hampson.

The new permanent exhibition at The Atkinson celebrates Hampson and his work alongside other local notable figures, including Frank Hornby, the inventor of Meccano, Dinky toys and Hornby model trains.
Memorabilia on display includes artists’ models of some of the main character heads, including a large colour bust of Dan Dare. The models were used by the artists when they were drawing the cartoon so that they could accurately draw the heads from all angles.  Other artists’ models on permanent loan to the museum number a space ship and a Mars space station.

Much original artwork is on show, alongside Dan Dare merchandise from the 50s and 60s and an Eagle artists’ spraygun.
Peter Hampson, son of Frank said: “The idea to produce a new sort of comic for boys was the brain child of Marcus Morris, an Oxford-educated vicar with a parish in Southport.

“Morris deplored the influx of cheaply produced American 'horror comics' with their crude and senseless violence, and he wanted to combat their influence with a high quality strip cartoon publication, promoting wholesome, Christian values.

“But that his great idea was ever realised - and with a brilliance that must surely have exceeded his wildest expectations - was due entirely to the creative genius of Frank Hampson. My father always stated that the title, story, drawings and inventions were all his and that my mother christened the new publication Eagle.

“Production began in 1950 in a studio set up in a ramshackle old bakery in Churchtown, near Southport and my father set about assembling a team of artists: Joan Porter, Greta Tomlinson, Harold Johns, Jocelyn Thomas and Bruce Cornwell. 

“My grandfather, soon known to everyone in the studio as 'pops', now retired from the police force, became a willing general helper, as well as the very recognisable model for the Controller of the Space-Fleet, Sir Hubert Guest.”
Between Land and Sea – 10,000 years of Sefton’s Coast
New permanent exhibition opened February 2015
The Atkinson, Lord Street, Southport PR8 1DB

http://www.theatkinson.co.uk/

Thứ Ba, 22 tháng 4, 2014

1969: Final flight of the EAGLE

Final issue of EAGLE, April 1969.
Exactly 45 years ago today, the most famous adventure comic in Britain ended its 19 year run. The final issue of Eagle bowed out on Wednesday April 23rd 1969 (cover dated April 26th) with Vol.20 No.17.

When the publishing giant IPC took control of the Odhams and Fleetway comics they ruthlessly cut through the poorer selling titles. The period from late 1968 to early 1969 saw the end of Fantastic, Pow!, Jag, and Eagle, and Smash! was revamped beyond recognition. (IPC had their own ideas for adventure comics, as the following years would prove... but few had longevity.)

Eagle had been on the decline for years, and ended in a poorer state than its high quality beginnings. Yet even its final edition still contained good artwork. Let's take a look...

I'm sure the cover above must have raised a wry smile with older readers. "The  modern paper for the modern boy" led with a 1950s Dan Dare reprint! Having treated Dare's creator Frank Hampson disgracefully (see Alistair Crompton's book Tomorrow Revisited for the full story) and replaced him on the strip years earlier, the publishers had then added more insult by replacing the new artists with reprints of Hampson's work (without paying him of course).

The first strip inside the issue was The Waxer. A creepy serial about living waxworks, it was illustrated by Reg Bunn, famed for his work on The Spider for Lion


The wheelchair-bound crimebuster Lightning Stormm was clearly inspired by TV's Ironside. Art by Barrie Mitchell.

By 1969 Western strips were nowhere near as popular than in their 1950s heyday, and this was the final bow for Blackbow the Cheyanne. Art by Frank Humphries.

Ancient gladiators vs Nazis! Only in comics...

The Circus Wanderers had been given the full colour centrespread for some reason. A somewhat silly strip of circus performers becoming footballers, it never made the leap to the merged comic.

What's that? Merged comic? Yes, the next page explained it all, with a typical "Great News, Pals!" announcement. Eagle was merging with Lion! Ironic, considering they were originally by rival publishers, and that Lion was the younger upstart, initially a poor imitation of Eagle

Over the page, The Day the World Forgot, with art by Tom Kerr, may have been a reprint from somewhere. 

Wild of the West was certainly a reprint. (Perhaps from Top Spot?) I think the art was by Ted Kearon but I'm unsure.

Finally, The Iron Man's last adventure. Yes, Eagle had its own Iron Man superhero, although this version was a robot and bore no similarity to Marvel's character. The strip had originated in Boy's World in 1963 before moving over to Eagle. Art by Martin Salvador.


The following week, readers were greeted with Lion and Eagle, with poorer paper quality and less colour than they were used to. Admittedly the title was revived with much publicity in 1982 and ran for several years, but the true original Eagle ended in 1969. 


Mono version of the cover by Geoff Campion.