POW! and WHAM! - First merged issue (1968)

The merging of Pow! and Wham! in January 1968 was a clear indication that all was not well with the Odhams line of 'Power Comics'. Other mergers would follow and by the end of the year only Smash! would remain out of the five titles. A sad state of affairs for a much-loved line of comics but they continued to deliver the goods right up until the end.

The merged Pow! and Wham! actually resulted in a fairly strong line-up. Here are examples from the 32 pages of that first issue (No.53, retaining Pow's numbering)...

Pages two and three served as a great introduction to the strips, bringing new readers up to speed...

Reprints of Spider-Man had proved to be Pow's most popular strip so naturally that continued in the merger. Stan Lee and Steve Ditko at their finest...

Georgie's Germs was one of the handful of strips to survive from Wham! and fitted into Pow! perfectly. Art by Cyril Price...

After Spider-Man the second most popular strip in Pow! was Mike Higgs' The Cloak. A fantastic humour-adventure spy/fantasy serial in Mike's distinctive style. I've never met any fan of Pow! who didn't like the strip, and it's easy to see why from this excellent spread. Anything could happen in The Cloak strip!

Horror/sci-fi serial Experiment X featured in the centre pages. That logo is one of my favourites. Very eerie.

Pow! often reprinted some of the complete five page sci-fi strips from Marvel's early sixties Tales of Suspense, Strange Tales and the like, resized into two page stories. This issue gave us The Little Green Man by Stan Lee and Steve Ditko...

The ad for the next issue promoted the free stickers. Remember those? 

Sammy Shrink by Terry Bave was another survivor from Wham! Although perhaps one of the more conservative strips in 'Power Comics' Sammy Shrink proved very popular and was even revived for a much longer run years later in the IPC funnies. 

This first merge issue also saw the start of a brand new adventure thriller; The Two Faces of Janus. A gripping but somewhat daft tale about a man wrongly accused of a crime just because he looks evil due to a curse. Francisco Fuentes was the artist of the strip but I'm not sure he drew this opening episode as it appears to be signed "Ayhau". 

The Tiddlers and The Dolls was an unusual merging of two strips into one! The Tiddlers from Wham! joined Pow's The Dolls of St. Dominics for a weekly battle of the sexes. Art by Mike Lacey... 

Reprints of The Fantastic Four also came over from Wham! into the merged comic. Script by Stan Lee, art by Jack Kirby. (For some reason, Odhams deleted the credits on the Marvel reprints. Probably because it wasn't a tradition in British comics to run credit boxes at the time.)

On the back page, the brilliant Dare-A-Day Davy, another Pow! favourite, by the fantastic Ken Reid...

So there you have it. A good comic full of variety, and a favourite of many in the sixties. Evidently not too many though, as it only lasted another 36 weeks or so before merging into Smash! but while it was around it was a memorable comic!

The End of WHAM! (1968)

Launching in 1964, Wham! had been the flagship title of Odhams' 'Power Comics' but with issue No.187, dated 13th January 1968, it met its fate. Frankly, Wham! had been in decline for quite a while. Its high quality glossy Photogravure printing had long given way to cheap newsprint, more budget cuts had seen the inclusion of Marvel reprint in the form of The Fantastic Four, its main artist Leo Baxendale had left for the more lucrative options of the Fleetway comics, and even the mighty Frankie Stein by Ken Reid had disappeared from the comic long before the last issue. 

That said, Wham! was still livelier, cheekier, and more entertaining than some of its rivals. Let's take a look at a few pages from that final issue. Above is the cover by Mike Lacey, with The Tiddlers strip continuing on the back page. For cheapness, Odhams didn't use black ink on the covers of the newsprint issues of Wham!, utilising dark blue instead. (The same principle applied to companion comics Smash! and Pow!).

Art: Mike Lacey.

Wham! was fated to merge into Pow! the following week and it was announced with a full page ad...

The regular news page also made a big fuss of it...

Only a few strips from Wham! would make the transition to Pow! This issue saw the end of many long-running regulars; General Nitt and his Barmy Army, The Wacks, Glugg, Eagle-Eye, Footsie the Clown, Biff, The Humbugs, Danny Dare, and the Pest of the West. Here's a few examples of those final strips...

Art: Gordon Hogg

Art: Stan McMurtry

Art: Stan McMurtry

Art: Graham Allen

Final 'Barmy Army' strip.

Art: Artie Jackson

Artist unknown.

The strips that would survive were The Tiddlers (but only by merging with The Dolls of St.Dominics), Sammy Shrink, Georgie's Germs, and Marvel reprint The Fantastic Four. The final issue of Wham! and that week's issue of Pow! both ran the same episode of the F.F. (reprinting the start of Fantastic Four No.27) to encourage readers to buy the next issue ...

Art: Jack Kirby.

Wham! was definitely a better comic in its early days but its three and a half year run is still looked upon fondly by those of us who grew up reading comics in the sixties. Personally I think its merger with Pow! made for a stronger comic. In my next post I'll show a few pages from that first merge issue.

This wasn't exactly the final appearances of the characters as they'd return in new strips in the Wham! Annuals dated 1969 to 1971 but on a weekly frequency this was the end of Wham!

WHAM! Happy Easter!

Comics tend not to feature Easter themed strips much these days but here are a few appropriate pages from the Easter issue of Wham! from 50 years ago! Let's take a look at these fantastic strips from 1965. (Click on images to see them much larger.)

Above is the front cover strip Biff, drawn by Graham Allen. Below is General Nitt and his Barmy Army by Gordon Hogg...

Even the pop feature page that week had an Easter makeover. A reflection of the times when it was ok for a children's comic to refer to women as "swingin' chicks"...

Are you ready for some Ken Reid? Of course you are. Here's his Frankie Stein strip for that week...

Followed by Danny Dare drawn by Artie Jackson (with Dan Dare daydream panels by Bruce Cornwell I think)...

Finally from this selection, the back page strip Glugg by Gordon Hogg, wherein Glugg invents Hot Cross Buns centuries before Easter!   

This week in 1965...

I haven't done one of these for a while, where I look back at several comics from years ago that were published in the same week. Above is my photo of how a newsagents counter may have looked this week exactly 50 years ago when all of these issues were on sale! Half a Century ago! Blimey!

Let's start off with the issue of Valiant that went on sale Saturday 20th February 1965. Cover by Mike Western which looked back on other events of this week in times past...

Inside, the dark, tense artwork of Solano Lopez with the latest Kelly's Eye chapter. These old strips certainly knew how to deliver a great cliffhanger!

As the topline on the cover promised, this issue saw the start of a new adventure with The Wild Wonders, drawn by Mike Western...

A good horror/mystery serial in Valiant at that time was Jack O'Justice, drawn by Tom Kerr... 

That issue also carried a half page ad for that week's Buster and The Big One which featured a free gift...

Monday 22nd February 1965 saw the publication of The Dandy No.1214 with a very amusing Korky the Cat strip drawn by Charlie Grigg...

Inside, Dudley D. Watkins proved what a master comic artist he was with a Desperate Dan strip with 17 panels on one page...

The Smasher was up to mischief as usual, drawn by Hugh Morren. Note the advert at the foot of the page, heralding the start of Greedy Pigg the following week! (Greedy Pigg would replace George Martin's Sunny Boy which ended that week.)

The Dandy carried a regular feature page back then called My Home Town. Humour illustrations by Frank McDiarmid, with the 'straight' artwork by Thomson staff artist Alan Gibson. (Thanks to Ray Moore for correcting me on that.) Note the ads for that week's Bimbo and Diana at the bottom of the page...

The same day saw the publication of Wham! No.37, with a cover by Graham Allen doing his best to 'ghost' Leo Baxendale's style...

This issue of Wham! saw the debut of two new strips. In actuality they were both reprints from Swift. Western serial Johnny Straight by Don Lawrence was a re-lettered reprint of Wells Fargo...

...whilst The Bouncers by Peter Maddocks was also reprinted from Swift.

The rest of Wham! was still all-new though, and worth every penny. Especially with Leo Baxendale's glorious centre-spread strip Eagle Eye: Doomsday School...

This week in 1965 saw the publication of TV21 No.6. (Apologies for my copy having a bit missing from the cover.)

An important issue as it saw Mike Noble's arrival to TV21, taking over the art duties on Fireball XL5...

On the back page, The Daleks were proving to be more devious and cunning than they'd be portrayed in some of their TV appearances. Artwork by Richard Jennings...

Sparky was also on issue No.6 that week. Cover by Ron Spencer. My apologies if anyone is offended by the strip. Presented as it was in different times. Thankfully things have moved on since.

The centre pages featured another adventure with Dreamy Dave and Dozy Dora with artwork by George Ramsbottom. (Thanks to Ray Moore for that info.) One of the weirdest things about this strip was that every week the sleepy siblings shared the same dream! 

On the back page, another nice Moonsters strip by Bill Ritchie...

Just a few examples of the wide variety of strips from the many British comics that were available 50 years ago. It was a great time to be a child!